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TVB的第一代花旦中,李司琪、黃淑儀早就成了粵語長片裡的港奶奶,汪明荃則是TVB的“阿姐”——骨子裡的好勝心與鬥志,讓她成了香港職業女性的最佳代言人。唯有趙雅芝,把自己定格在永遠的閨秀。

1999年,《電影畫刊》曾用大篇幅討論“趙雅芝現象”。文章中談到:“在步入中年後,她並未像其他女演員一樣,轉型飾演與自己相同年齡層次的角色,她依舊輕著羅紗,繡帶飄飄,步態輕盈地向人們走來,演繹著一個個溫存善良的少女、少婦角色。已做了多年母親的她,在演繹這種與自己年齡相差較大的角色時,始終毫無生澀之感,顯示出多年飾演此類角色所積累下的舉重若輕的技巧。”